List of "Weird Al" Yankovic polka medleys
From Wikipedia, the free encyclopedia
Polka-style medleys of cover songs are a distinguishing part of American musician, satirist, parodist, and songwriter "Weird Al" Yankovic's catalog. Twelve of his fourteen albums contain them; his self-titled debut and Even Worse omit them.[1]
The medleys are composed of various popular songs, each one reinterpreted as a polka (generally an instrumentation of accordion, banjo, tuba, clarinet, and muted brass interspersed with sound effects) with the choruses or memorable lines of various songs juxtaposed for humorous effect and profane lyrics are covered with cartoon sound effects. Yankovic has been known to say that converting these songs to polka was "...the way God intended."[2] Yankovic said that the medleys were something he did "even before I had a record deal" in live performances, and that many of the songs are included due to not receiving a full parody version - "if there’s a song that I think is really ripe for parody but I just can’t think of a clever enough idea, sometimes it’ll end up in the polka medley."[3] Regarding their popularity, Yankovic has said, "At this point, it's sort of mandatory for me to do a polka medley. Fans would be rioting in the streets, I think, if I didn't do a polka medley."[2] Yankovic has always asked permission from every artist whose songs compose a medley due to royalties issues.[4] He acknowledged some influence of Spike Jones in the medleys, such as the sound effects.[5]
Three of Yankovic's polka medleys—"Hooked on Polkas", "Polka Power!", and "The Hamilton Polka"—have been released as singles (either in international markets or domestically). "Polka Your Eyes Out" and "Polkas on 45" were also the only polkas to appear on a greatest hits album and "Polka Face" is the only polka to have an official video released for it that are not clips of the original songs music videos.
A Yankovic composition, originally titled "Ear Booker Polka" but retitled for later medleys, appears in each medley and is "...[Any] part of the medley that is not directly attributable to another songwriter...".[6]