Portal:Record production
Wikipedia portal for content related to record production / From Wikipedia, the free encyclopedia
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The Record Production Portal
This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)
The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)
Featured articles - load new batch
- Image 1Title TK is the third studio album by American alternative rock band the Breeders, released on May 20 and 21, 2002 by 4AD in the United Kingdom and Elektra Records in the United States, and on May 10 by P-Vine Records in Japan. The album—whose name means "title to come" in journalistic shorthand—generated three singles: "Off You", "Huffer", and "Son of Three". Title TK reached the top 100 in France, Germany, the UK, and Australia, and number 130 in the US.
Following multiple changes in personnel after the release of Last Splash (1993), singer and songwriter Kim Deal was the only remaining constant member of the Breeders by 1996. The next year, she returned to the studio in an attempt to record a follow-up album, but her behavior—including drug use and demanding expectations—alienated many of the musicians and engineers with whom she worked. (Full article...) - Image 2Wish You Were Here is the ninth studio album by the English rock band Pink Floyd, released on 12 September 1975 through Harvest Records in the UK and Columbia Records in the US, their first for the label. Based on material Pink Floyd composed while performing in Europe, Wish You Were Here was recorded over numerous sessions throughout 1975 at EMI Studios in London.
The lyrics express alienation and criticism of the music business. The bulk of the album is taken up by "Shine On You Crazy Diamond", a nine-part tribute to the Pink Floyd co-founder Syd Barrett, who had left seven years earlier due to his deteriorating mental health. Barrett coincidentally visited during the recording. As with their previous release, The Dark Side of the Moon (1973), Pink Floyd employed studio effects and synthesisers. Guest singers included Roy Harper, who provided the lead vocals on "Have a Cigar", and Venetta Fields, who added backing vocals to "Shine On You Crazy Diamond". To promote the album, Pink Floyd released the double A-side single "Have a Cigar" / "Welcome to the Machine". (Full article...) - Image 3
Wilco is an American rock band based in Chicago. The band was formed in 1994 by the remaining members of alternative country group Uncle Tupelo after singer Jay Farrar's departure. Wilco's lineup changed frequently during its first decade, with only singer Jeff Tweedy and bassist John Stirratt remaining from the original incarnation. Since early 2004 the lineup has been unchanged, consisting of Tweedy, Stirratt, guitarist Nels Cline, multi-instrumentalist Pat Sansone, keyboard player Mikael Jorgensen, and drummer Glenn Kotche. Wilco has released thirteen studio albums, a live double album, and four collaborations: three with Billy Bragg and one with the Minus 5.
Wilco's music has been inspired by a wide variety of artists and styles including Bill Fay, the Beatles, and Television; in turn the band has influenced music by many modern alternative rock acts. The band continued in the alternative country style of Uncle Tupelo on its debut album A.M. (1995), but has since introduced more experimental aspects to their music, including elements of alternative rock and classic pop. Wilco's musical style has evolved from a 1990s country rock sound to a current "eclectic indie rock collective that touches on many eras and genres". (Full article...) - Image 4Be Here Now is the third studio album by the English rock band Oasis, released on 21 August 1997 by Creation Records. The album was recorded at multiple recording studios in London, including Abbey Road Studios, as well as Ridge Farm Studio in Surrey. Although most tracks retain the anthemic quality of previous releases, the songs on Be Here Now are longer and contain many guitar overdubs. Noel Gallagher said this was done to make the album sound as "colossal" as possible. The album cover features a shot of the band members at Stocks House in Hertfordshire. It is the last Oasis studio album to feature founding members guitarist Paul "Bonehead" Arthurs and bassist Paul "Guigsy" McGuigan as the two left in 1999.
Following the worldwide success of their first two albums, Definitely Maybe (1994) and (What's the Story) Morning Glory? (1995), the album was highly anticipated. Oasis' management company, Ignition, were aware of the dangers of overexposure, and before release sought to control media access to the album. The campaign included limiting pre-release radio airplay and forcing journalists to sign gag orders. The tactics alienated the press and many industry personnel connected with the band and fuelled large-scale speculation and publicity within the British music scene. (Full article...) - Image 5
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...) - Image 6No Depression is the first studio album by alternative country band Uncle Tupelo, released in June 1990. After its formation in the late 1980s, Uncle Tupelo recorded the Not Forever, Just for Now demo tape, which received a positive review by the College Media Journal in 1989. The review led to the band's signing with what would become Rockville Records later that year. The album was recorded with producers Sean Slade and Paul Q. Kolderie at Fort Apache Studios, on a budget of US$3,500.
No Depression was critically acclaimed and sold well for an independent release. Selling over 15,000 copies within a year of its release, the album's success inspired the roots music magazine No Depression. The record is considered one of the most important alternative country albums, and its title is often used as a synonym for the alternative country genre after being popularized by No Depression magazine. After regaining the rights to the album through a lawsuit, Uncle Tupelo released a remastered version in 2003 through Legacy Records, expanded to include six bonus tracks. (Full article...) - Image 7Kids See Ghosts is the debut studio album by the American hip hop supergroup Kids See Ghosts, composed of the rappers and producers Kanye West and Kid Cudi. It was released on June 8, 2018, through Wicked Awesome Records and GOOD Music, and distributed by Def Jam Recordings. Prior to the release, West and Cudi had collaborated on each others' work since 2008, although they experienced personal quarrels due to creative differences. The first studio sessions for the album began after the two reunited in late 2016.
Guest contributions are included on Kids See Ghosts from Pusha T, Yasiin Bey, and Ty Dolla Sign, as well as a vocal sample of Louis Prima, who is credited posthumously as a featured artist. Kids See Ghosts handled the majority of the stylistically fragmented production that includes varying elements, with further contributions by Dot da Genius, Mike Dean, and Plain Pat, among others. The album was the third of five records produced by West in Jackson Hole as a part of the "Wyoming Sessions", each being released weekly in the summer of 2018. It succeeded the release of Pusha T's Daytona and West's Ye, while preceded the release of Nas' Nasir and Teyana Taylor's K.T.S.E. (Full article...) - Image 8
Bedřich Smetana (/ˌbɛdərʒɪx ˈsmɛtənə/ BED-ər-zhikh SMET-ə-nə, Czech: [ˈbɛdr̝ɪx ˈsmɛtana] ⓘ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival". He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera The Bartered Bride and for the symphonic cycle Má vlast ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem "Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau").
Smetana was naturally gifted as a composer, and gave his first public performance at the age of six. After conventional schooling, he studied music under Josef Proksch in Prague. His first nationalistic music was written during the 1848 Prague uprising, in which he briefly participated. After failing to establish his career in Prague, he left for Sweden, where he set up as a teacher and choirmaster in Gothenburg, and began to write large-scale orchestral works. (Full article...) - Image 9
Opeth are a Swedish progressive metal band from Stockholm, formed in 1990. The band incorporates folk, blues, classical, and jazz elements into its usually lengthy compositions, as well as strong influences from death metal, especially in their early works. Songs may include acoustic guitar passages, Mellotrons, death growls, and strong dynamic shifts.
The group have been through several personnel changes since early in their history, including the replacement of every original member. Lead vocalist, guitarist and primary songwriter Mikael Åkerfeldt has been Opeth's driving force since the departure of founder and lead vocalist David Isberg in 1992. The band rarely made live appearances supporting their first four albums, but since their first world tour in support of the 2001 album Blackwater Park, they have had several other major world tours. (Full article...) - Image 10A Crow Looked at Me is the eighth studio album by Mount Eerie, a solo project of the American musician Phil Elverum. Released in 2017, it was composed in the aftermath of his 35-year-old wife Geneviève Castrée's diagnosis with pancreatic cancer in 2015, and her death in July 2016. Elverum wrote and recorded the songs over a six-week period in the room where she died, mostly using her instruments. His sparse lyrics and minimalistic musical accompaniment drew influence from a broad range of artists, including the poet Gary Snyder, author Karl Ove Knausgård and songwriter Julie Doiron.
Characterized by lo-fi production and loose instrumentation, A Crow Looked at Me departs from Elverum's earlier and more complex experimental works, but is musically similar to his album Lost Wisdom (2008). The lyrics are presented in a diary-like form and sung in a raw, intimate style. They describe Castrée's illness and death, Elverum's grief, and his relationship with their infant child. The album was deliberately underpromoted, and he at first considered releasing the songs under a name other than Mount Eerie. The singles "Real Death" (January 2017) and "Ravens" (February), were accompanied by a single low key concert. After its release, he undertook well-received tours of North America and Europe, and in 2018 released the album (after), a live performance of the songs. (Full article...) - Image 11"This Charming Man" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group's second single in October 1983 on the independent record label Rough Trade, it is defined by Marr's jangle pop guitar riff and Morrissey's characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust. A different version, from the John Peel Show on BBC Radio 1, was included on the compilation album Hatful of Hollow in 1984.
Feeling detached from the early 1980s mainstream gay culture, Morrissey wrote "This Charming Man" to evoke an older, more coded and self-aware underground scene. The singer said of the song's lyrics: "I really like the idea of the male voice being quite vulnerable, of it being taken and slightly manipulated, rather than there being always this heavy machismo thing that just bores everybody." (Full article...) - Image 12
Godsmack is an American rock band from Lawrence, Massachusetts, formed in 1995. The band is composed of lead singer and rhythm guitarist Sully Erna, bassist Robbie Merrill, lead guitarist Tony Rombola and drummer Shannon Larkin. Since its formation, Godsmack has released eight studio albums, one EP (The Other Side), four DVDs, one compilation album (Good Times, Bad Times... Ten Years of Godsmack), and one live album (Live & Inspired).
The band has released three consecutive number-one albums (Faceless, IV and The Oracle) on the Billboard 200. The band also has 25 top ten rock radio hits, including 18 songs in the top five, and 12 at #1. The band's seventh album, When Legends Rise was released on April 27, 2018. Their eight and final album Lighting Up the Sky was released on February 24, 2023. (Full article...)
Did you know (auto-generated) - load new batch
- ... that to promote the Buffalo Club, Rising Tide Records sent packages of plastic buffalo to music industry executives in Nashville?
- ... that when Divine's song "Lately" topped the Billboard Hot 100 in 1998, it became the first number-one single for the performers, the songwriters, the producers, and the record labels?
- ... that according to Billboard magazine, Laufey created a blueprint for jazz music in the modern music industry and helped push it back into the mainstream?
- ... that until the release of the documentary Predator: The Secret Scandal of J-Pop, sexual abuse claims involving record producer Johnny Kitagawa went widely unreported in Japanese media?
- ... that the Guns N' Roses debut studio album Appetite for Destruction was recorded at a recording studio founded by 1970s pop duo Captain & Tennille?
- ... that Castle Recording Laboratory, Nashville's first commercial recording studio, was established in a repurposed hotel banquet room?
Born this day
- Birthdays in Music: April 27
- Ruth Price, American jazz standards vocalist, turns 86.
- Jim Keltner, American session drummer known for working with the Traveling Wilburys, turns 82.
- Kate Pierson, (born Katherine Elizabeth Pierson) American singer and multi-instrumentalist with The B-52's, turns 76.
- Ace Frehley, (born Paul Daniel Frehley) American guitarist for Kiss, turns 73.
- Sheena Easton, (born Sheena Shirley Orr) American Grammy Award-singer and actress, turns 65.
- Scott Robinson, American aerophone virtuoso, turns 65.
- Tommy Smith, Brit tenor saxophonist, turns 57.
- Patrick Stump, American musician, singer, songwriter of Fall Out Boy, turns 40.
- Lizzo, (born Melissa Viviane Jefferson) American singer, songwriter, rapper, and flutist, turns 36.
- Allison Iraheta, American singer and American Idol contestant, turns 32.
- Gordon Haskell (Record production, 1946 –October 15, 2020), English singer-songwriter and one time vocalist and bassist for King Crimson, would have turned 78 this year.
- Freddie Waits (Record production, 1943 –November 18, 1989), American session musician (drummer), would have turned 81 this year.
- Calvin Newborn (Record production, 1933 –December 01, 2018), American guitarist, would have turned 91 this year.
- Casey Kasem (Record production, 1932 –June 15, 2014), American disc jockey and radio personality, would have turned 92 this year.
- Maxine Brown (Record production, 1931 –January 21, 2018), American country-folk singer with The Browns, would have turned 93 this year.
- Krzysztof Komeda (Record production, 1931 –April 23, 1969), (born Krzysztof Trzciński) Polish composer and pianist, would have turned 93 this year.
- Connie Kay (Record production, 1927 –November 30, 1994), American drummer, would have turned 97 this year.
- Sal Mosca (Record production, 1927 –July 28, 2007), American jazz pianist, would have turned 97 this year.
- Denzil Best (Record production, 1917 –May 24, 1965), American composer and drummer, would have turned 107 this year.
- Larry Fotine (Record production, 1911 –November 25, 1990), (born Larry Fotinakis) American arranger and conductor, would have turned 113 this year.
- Matty Matlock (Record production, 1909 –June 14, 1978), American arranger and reedist, would have turned 115 this year.
Selected albums - load new batch
- Image 1Hannah Montana is the soundtrack album for the first season of the television series of the same name. released on October 24, 2006 by Walt Disney Records. The program itself premiered through the Disney Channel on March 24, 2006; after becoming an immediate commercial success, production on its soundtrack began the following month. Eight of its thirteen tracks are performed by the series' lead actress Miley Cyrus, and are credited to her character Hannah Montana. The groups The Click Five, Everlife, B5, and recording artist Jesse McCartney each contribute one recording, while a duet between Cyrus and her father Billy Ray Cyrus is included as the final track. Hannah Montana was reissued as a two-disc special edition on March 20, 2007. The soundtrack was further promoted during the Cheetah Girls' Party's Just Begun Tour, for which Cyrus served as an opening act, and her own Best of Both Worlds Tour. The soundtrack is primarily a pop rock record, which sees additional influences from teen pop, pop punk, and country pop musical styles. The lyrical themes revolve largely around "girl power", teen romance, and the double life that Cyrus' character lives on the program.
Hannah Montana received generally favorable reviews from music critics, who appreciated its overall production. It debuted at number one on the US Billboard 200 with first-week sales of 281,000 copies. In doing so, it became Cyrus' first number-one album, the first television soundtrack to reach the top position on the chart, and the fourth soundtrack from The Walt Disney Company to debut in the top-ten of the chart. The record has since been certified triple-platinum by the Recording Industry Association of America (RIAA), having exceeded shipments of three million copies in the United States. The soundtrack charted moderately on international record charts, having reached the top-twenty in countries including Austria, Canada, Norway, and Spain. (Full article...) - Image 2Extra Texture (Read All About It) is the sixth studio album by the English musician George Harrison, released on 22 September 1975. It was Harrison's final album under his contract with Apple Records and EMI, and the last studio album issued by Apple. The release came nine months after his troubled 1974 North American tour with Ravi Shankar and the poorly received Dark Horse album.
Among Harrison's post-Beatles solo releases, Extra Texture is the only album on which his lyrics are devoid of any obvious spiritual message. It was recorded mostly in the United States rather than England, while Harrison was working in Los Angeles in his role as head of Dark Horse Records. (Full article...) - Image 3Youthanasia is the sixth studio album by American heavy metal band Megadeth, released on November 1, 1994, through Capitol Records. It is stylistically similar to their previous album, Countdown to Extinction (1992). The title is a play on words, implying that society is euthanizing its youth. The cover art features an elderly woman hanging babies by their feet on a seemingly endless clothes line, a direct reference to a line in the title track.
Youthanasia received positive reviews upon its release. It was commercially successful, peaking at number 4 on the Billboard 200 chart, and in 1995 was certified platinum for shipping one million copies in the United States. A remixed and remastered edition featuring several bonus tracks and detailed liner notes was reissued on July 27, 2004. (Full article...) - Image 4Love Kraft is the seventh studio album by Welsh indie rock band Super Furry Animals, released on 22 August 2005 through Epic Records in the United Kingdom. The album was recorded in Spain with producer Mario Caldato Jr and was something of a departure for the band, with all members contributing songs and lead vocals alongside Gruff Rhys who had been main songwriter for the Super Furries until this point. In selecting tracks for Love Kraft a conscious effort was made by the band not to choose songs on their individual merit but rather to pick those which went well together in order to create as cohesive an album as possible. The album's name was taken from a sex shop, Love Craft, near the Cardiff offices of the Super Furries' management team and is also a nod to American horror writer H. P. Lovecraft.
Critical response was generally positive with some reviews claiming the album was the best of the group's career. However, a few reviewers expressed reservations that Love Kraft was "merely a very good Super Furry Animals effort" and was not as impressive as the band's previous records. The track "Lazer Beam" was released as a single and reached #28 in the UK Singles Chart. (Full article...) - Image 5Something to Remember is a compilation album by American singer Madonna, released by Maverick Records on November 3, 1995. The album was conceived after a highly controversial period in Madonna's career, during which many critics speculated that her career was in decline. The compilation of ballads presented a softer image for the singer and span over a decade, including a reworked version of "Love Don't Live Here Anymore" as well as three new songs: "You'll See", "One More Chance" and a cover of Marvin Gaye's "I Want You". The singles "I'll Remember" and "This Used to Be My Playground", were also included, marking the first time these songs were featured on a Madonna album.
For producing the new songs for the album, Madonna worked with David Foster and Nellee Hooper. She stated that the concept for the album was to make fans and critics alike remember her musical talent rather than her media controversies. Something to Remember was well received by music critics who were impressed with Madonna's vocals and the album's cohesiveness. It was also a commercial success, topping charts in Australia, Austria, Finland, Italy, and Singapore, and peaking within top ten elsewhere. In the United States, it reached number six on the Billboard 200 and was certified triple platinum by the Recording Industry Association of America (RIAA) for shipments of three million units. Worldwide, Something to Remember has sold over ten million copies. (Full article...) - Image 6Greatest Hits is the first greatest hits album of American rock band Blink-182. It was released on October 31, 2005, by Geffen Records. Greatest Hits was created by Geffen shortly after the band's February 2005 breakup, termed an "indefinite hiatus" by the label. Tensions had risen in the group and guitarist Tom DeLonge desired to take time off. Bassist Mark Hoppus and Travis Barker argued with DeLonge regarding the band's future and their possible next album, and heated exchanges led to DeLonge's exit. In the interim, Hoppus and Barker continued playing together in +44, and DeLonge formed his new outfit Angels & Airwaves.
The compilation collects the band's most successful singles with one new song and a non-album track. The collection covers tracks from the band's debut album Cheshire Cat (1995) to their self-titled album (2003). Greatest Hits features numerous hit singles by the band, including "Dammit", "What's My Age Again?", "All the Small Things", "The Rock Show", "First Date", "Feeling This" and "I Miss You". (Full article...) - Image 7Omen is the fourth studio album by the Norwegian Christian extreme metal band Antestor, released by Bombworks Records on November 16, 2012. Recording began in 2011, and was mostly conducted at the home of vocalist Ronny Hansen. The album cover is a painting by Polish artist Zdzisław Beksiński, and depicts a deformed, many-fingered humanoid creature playing a trumpet. Antestor met with critical praise for its musicianship and the progressive sound on the recording. Critics described the sound as primarily black metal, though the band prefers the more general term "extreme metal" to describe the sound on Omen.
To promote the album, the band went on tour in Brazil in January 2013, but encountered difficulties. The venue at Belém was cancelled due to a banking error, and while at Belo Horizonte Antestor was stormed by violent protestors antagonistic to the Christian beliefs of the band members, and police had to usher the band to safety. Despite these setbacks, Antestor considered the tour a success, and wished no ill will on its attackers. On February 18, 2013, a music video was released for the song "Unchained". (Full article...) - Image 8Moog for Love is the sixth extended play recorded by British electronic music duo Disclosure, consisting of brothers Howard and Guy Lawrence. The three-track record was released on 15 June 2016, by the labels Island and PMR Records. 2016 was a year where the duo were developing their skills of writing material while on the road. Its title is named after the 1952 Eddie Jefferson song "Moody's Mood for Love". They did not have enough material to produce a full-length album, but wanted to have a record released for the summer of that year regardless. Featuring collaborations with Eats Everything and Al Green, the album garnered generally mixed to positive reviews from music critics, some calling it a significant improvement over the duo's second studio LP Caracal (2015). Upon its release, the album landed at number 80 on the Australian Singles Chart. (Full article...)
- Image 9Box Car Racer is the only studio album by American rock band Box Car Racer. Produced by Jerry Finn, the album was released on May 21, 2002, through MCA Records. The band was a side-project of Blink-182 members Tom DeLonge and Travis Barker, with David Kennedy completing the band's studio lineup. A bassist and friend of Barker, Anthony Celestino, later joined as the band's bassist after DeLonge recorded the bass tracks for the record.
The record is primarily based on DeLonge's post-hardcore influences, such as Fugazi and Refused. The recording sessions were particularly difficult for him, as he had recently undergone back surgery. The record is a concept album detailing the end of the world, and features dark, moody tracks mulling over confusion. Blink-182 bassist Mark Hoppus—the only member of that band not involved in the project—felt betrayed over his lack of inclusion, which evolved into tensions between him and DeLonge, which contributed to the band's 2005 breakup. Despite this, Hoppus provided guest vocals on the album's twelfth track "Elevator". (Full article...) - Image 10Glee: The Music, Volume 1 is the debut soundtrack album by the cast of the musical television series Glee, which aired on Fox in the United States. It features cover versions from the first nine episodes of the first season and was released on November 2, 2009 by Columbia Records and 20th Century Fox Television Records. The album received mixed reviews from critics, with many praising large ensemble numbers, but comparing it to karaoke tracks. It went to number one on album charts in Ireland and the United Kingdom, and peaked at number three in Australia and number four in both Canada and the United States. Volume 1 has been certified platinum in these five countries.
All non-bonus tracks from the album have been released as digital singles. The cast's debut single, a cover of Journey's "Don't Stop Believin'", charted within the top five in many countries and has sold over one million copies in the US. Other high-charting and best-selling singles include the covers of Queen's "Somebody to Love", Neil Diamond's "Sweet Caroline", and "Defying Gravity" from the musical Wicked. Glee Live! In Concert! saw the cast tour the US in promotion of the series' first season and its musical releases. The album earned a nomination for Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media for the 2011 ceremony. (Full article...) - Image 11Live. Love. ASAP (stylized as LIVE.LOVE.A$AP) is the debut mixtape by American rapper ASAP Rocky, who released it as a free digital download on October 31, 2011. It features production by Clams Casino, ASAP Ty Beats, DJ Burn One, and SpaceGhostPurrp, among others. The mixtape also features guest rappers Schoolboy Q and Fat Tony, as well as members of ASAP Mob, ASAP Rocky's hip hop collective.
The mixtape's music incorporates stylistic and production elements of hip hop scenes distinct from ASAP Rocky's hometown New York scene, particularly Southern hip hop. Its production features woozy soundscapes, low and mid-tempo beats, and chopped and screwed choruses. His lyrics deal with themes about moral decay, including promiscuity and drug use, expressed through his boastful, tempered flow. (Full article...) - Image 12Rated R: Remixed is the second remix album by Barbadian singer Rihanna. It was released on May 8, 2010, in Brazil and Europe and on May 24, 2010, in the United States by Def Jam Recordings. It contains remixes from her fourth studio album, Rated R (2009). The songs were solely remixed by Chew Fu. The majority of the remixes were remastered to incorporate influences from the genre of house music, and incorporate heavy usage of synthesizers as part of their instrumentation.
Rated R: Remixed received a mixed review from Jean Goon for MSN Entertainment. She praised Fu for remixing some of the dark and sombre songs into upbeat dance songs, but criticized the album as it did not provide memorability. The album peaked at number four in Greece and number six on the US Dance/Electronic Albums chart; it peaked at number 33 on the US Top R&B/Hip-Hop Albums chart and number 158 on the US Billboard 200 chart. As of July 2010, Rated R: Remixed has sold 13,000 copies in the US, according to Nielsen SoundScan. (Full article...)
General images - load new batch
- Image 2Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from Multitrack recording)
- Image 3Scully 280 eight-track recorder at the Stax Museum of American Soul Music (from Multitrack recording)
- Image 4Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. (from Hip hop production)
- Image 5Mixing desk with twenty inputs and eight outputs (from Multitrack recording)
- Image 9Neve VR60, a multitrack mixing console. Above the console are a range of studio monitor speakers. (from Recording studio)
- Image 10The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 16 or even 8 tracks on the same tape width, for greater fidelity. (from Multitrack recording)
- Image 11A selection of instruments at a music studio, including a grand piano (from Recording studio)
- Image 14Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from Recording studio)
- Image 16The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from Multitrack recording)
- Image 17A Mexican son jarocho singer recording tracks at the Tec de Monterrey studios (from Recording studio)
Featured lists - load new batch
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Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs.
At the start of the year, the number one song on the Hot Country Songs listing was "Cruise" by the duo Florida Georgia Line. After falling from the top spot at the end of January, the song rebounded to the top in April, beginning a run of 19 consecutive weeks at number one. Its final total was 24 weeks at the top of the chart, breaking the record which had stood since the 1940s for the most cumulative weeks spent atop one of Billboard's country song charts. This revival of the song's fortunes was due to the late spring release of a remix featuring rapper Nelly, which proved extremely popular on pop music radio. Thanks to the incorporation into the chart's methodology of airplay data from all radio formats, this support from top 40 radio allowed "Cruise" to hold the top spot throughout the summer. The remix did not prove as popular on country radio, however, and by the late summer, the song was in the unusual position of topping the Hot Country Songs chart but receiving so few plays on country stations that it did not appear in the 60-position airplay listing at all. (Full article...) - Image 2
Tropical Airplay is a chart that ranks the top-performing songs (regardless of genre or language) on tropical radio stations in the United States, published by Billboard magazine based on weekly airplay data compiled by Nielsen's Broadcast Data Systems. It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. In 1996, 20 songs topped the chart, in 52 issues of the magazine.
The first number one of the year was "Nadie Como Ella" by Marc Anthony, which had been in the top spot since the issue dated December 23, 1995, and spent a total of three weeks at this position. Marc Anthony was also the artist with most number ones in 1996 with five songs. Víctor Manuelle and Jerry Rivera achieved their first chart-toppers in 1996 and each had two number ones in the year. "Loco de Amor" by Rivera held this position for seven weeks and tied with Frankie Ruiz's song "Ironía" for the longest run at number one. The latter song was named the best-performing track of the year on the Tropical Airplay chart and won the Billboard Latin Music Award for "Tropical/Salsa Hot Latin Track of the Year" in 1997. (Full article...) - Image 3
Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2005, twenty different songs topped the chart, published under the title Hot Country Singles & Tracks through the April 23 issue, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen SoundScan.
Singer Blake Shelton's song "Some Beach" was at number one at the start of the year, having risen to the top in the issue of Billboard dated December 25, 2004. The song remained at number one for three further weeks until it was replaced at the top by "Awful, Beautiful Life" by Darryl Worley in the issue dated January 22. Australian singer Keith Urban spent the most weeks at number one in 2005, with eleven, comprising five weeks with "Making Memories of Us" and six with "Better Life", the latter of which tied for the most weeks at number one by a single song with "As Good as I Once Was" by Toby Keith. Two other acts reached the top of the chart with more than one song in 2005. Brooks & Dunn topped the chart with "It's Getting Better All the Time" in May and "Play Something Country" in September, although each only spent one week at number one. Rascal Flatts, in contrast, spent eight weeks in total at number one with their two chart-toppers, "Bless the Broken Road" and "Fast Cars and Freedom". (Full article...) - Image 4
The UK Singles Chart is a music chart compiled by the Official Charts Company that calculates the best-selling singles of the week in the United Kingdom. Since 2005, the chart has been based on the sales of both physical and digital singles, originally on the condition that the single was available in both formats. In 2007, the rules were changed so that legal downloads of all songs, irrespective of whether a physical copy was available, were eligible to chart.
Between 2000 and 2009, ten singles that reached the top of the singles chart sold more than 1 million copies in the United Kingdom. At the end of the decade, a retrospective chart was compiled by the Official Charts Company to determine the best-selling single of this ten-year period. The title was won by Will Young, the winner of the televised talent competition Pop Idol in 2001, with his double A-side single "Evergreen"/"Anything Is Possible", released in 2002. The single sold just under 1.8 million copies and saw Young finish ahead of fellow Pop Idol finalist Gareth Gates, whose debut single "Unchained Melody" sold 1.34 million copies. Young's single included sales of 1,108,269 copies in its first week, at the time a first-week total that had been bettered only by Elton John's "Candle in the Wind 1997". The X Factor winners Alexandra Burke (5th), and Shayne Ward (8th) and the band formed on Popstars in 2001, Hear'Say (9th), also reached the top ten. Kylie Minogue, Shaggy and Tony Christie were the other solo artists who made the top ten of best-selling singles; Christie's best-seller was a charity single recorded for Comic Relief in 2005. Children's television character Bob the Builder's "Can We Fix It?", voiced by Neil Morrissey, and Band Aid 20's cover of "Do They Know It's Christmas" made up the rest of the top ten singles. (Full article...) - Image 5
Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2008, 26 different songs topped the chart in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.
At the start of the year the number one was "Our Song" by Taylor Swift, which had risen to the top in the issue dated December 22, 2007. It remained at the top of the chart until the issue dated February 2, when it was replaced by "Letter to Me" by Brad Paisley. Both Swift and Paisley had three songs at number one in 2008. Paisley reached the top with "Letter to Me", "I'm Still a Guy" and "Waitin' on a Woman" and Swift with "Our Song", "Should've Said No" and "Love Story". Carrie Underwood also had three chart-toppers in 2008 with "All-American Girl", "Last Name" and "Just a Dream". Paisley and Swift tied for the most weeks at number one by an artist in the year, each spending eight weeks at the top. The last number one of the year was "Roll with Me", the final number one single by Montgomery Gentry. (Full article...) - Image 6
The death of a popular musician, and likewise, the use of a dead musician's work in advertising, often causes a sharp increase in sales of the musician's recordings and associated products; this has led to a number of posthumous number one singles in the UK and elsewhere.
The phenomenon, a topic of discussion in both the media and academia, has occurred 20 times in the UK since 1959.
The UK Singles Chart is a record chart compiled on behalf of the British record industry based on sales of singles in the UK. Since 1997, the chart has been compiled by The Official Charts Company and was based entirely on sales of physical singles from retail outlets until 2006, when digital downloads were included in the chart compilation. Streaming was added to the methodology in 2014. The UK Singles Chart originated in 1952, when New Musical Express (NME) published the first chart of singles sales. The first deceased artist to top the charts was Buddy Holly, who died in a plane crash on 3 February 1959. Three weeks later his song "It Doesn't Matter Anymore" entered the charts, and in April it reached number one. In the 1960s Eddie Cochran and Jim Reeves achieved their first and only UK number ones after their deaths, as did Jimi Hendrix in 1970. (Full article...) - Image 7
Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1975, 43 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.
Merle Haggard had the most number ones in 1975, taking four different singles to the top spot. The four singles spent a total of five weeks at number one, tying Haggard with Freddy Fender for the highest number of weeks spent atop the chart by a single artist in 1975. When Fender reached number one with "Before the Next Teardrop Falls" in the issue of Billboard dated March 15, he achieved the feat of topping the Hot Country chart with his first hit. The Tex-Mex-influenced song went on to be a crossover success, topping Billboard's all-genre singles chart, the Hot 100, in May. Five other singles released in 1975 reached number one on both charts: "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song" by B.J. Thomas, "Rhinestone Cowboy" by Glen Campbell, both "Thank God I'm a Country Boy" and "I'm Sorry" by John Denver, and "Convoy" by C.W. McCall. "Rhinestone Cowboy" spent three non-consecutive weeks atop the country listing, the only song to spend more than two weeks in the top spot. (Full article...) - Image 8
The definition of a million-selling single, as regarded by the Official Charts Company (OCC), has changed in line with new technology for music consumption. Originally only physical record sales were counted since the start of the UK Singles Chart in November 1952. Digital downloads of a track were included from 2004 onwards and from 2014 onwards BPI-certified awards (Silver, Gold and Platinum) and the weekly charts include audio streaming. In 2017, the OCC included streaming in their definition of a million-seller and published a full list of the 311 songs which had achieved this. Certified awards can also include shipments (sales to trade). The OCC and Music Week regularly announce when a record becomes a million seller. (Full article...) - Image 9
Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1994, 30 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.
Two artists reached number one with three different songs in 1994. Clay Walker topped the chart with "Live Until I Die", "Dreaming with My Eyes Open" and "If I Could Make a Living", and John Michael Montgomery achieved the feat with "I Swear", "Be My Baby Tonight" and "If You've Got Love". Montgomery also spent the most cumulative weeks at the top of the chart, with seven, one more than Neal McCoy, who spent six weeks at the top with "No Doubt About It" and "Wink". Despite this level of chart success in 1994, the two songs remain McCoy's only number one hits. Clay Walker's three number ones each spent only a single week in the top spot. Other artists to achieve more than one number one in 1994 were Brooks & Dunn, Joe Diffie, Faith Hill and Alan Jackson. (Full article...) - Image 10
In the 1950s and 1960s "a third vinyl format" was introduced alongside long-playing (LP) albums, and singles. The extended play (EP) used the same formats as singles but contained more tracks. Singles were the popular record format at the time – predominantly 10-inch 78 rpm and 7-inch 45 rpm formats – and the first singles chart was published by New Musical Express in 1952 with many other publications also producing singles charts in the 1950s and 1960s. Record Mirror published the first album chart in 1956, and when Record Retailer began compiling an LP chart on 12 March 1960, they also compiled an EP chart. The EP chart consisted of a top ten and was expanded to fifteen positions the following week, and twenty the week after that. EPs "died out in the late 1960s" and Record Retailer reduced the chart to ten positions on 16 April 1966, publishing the final EP chart on 16 December 1967. For six weeks in 1966 and two weeks in December 1967, Record Retailer did not publish EP charts but they were compiled and Record Mirror published them; Record Mirror had begun publishing charts compiled by Record Retailer in March 1962, following a decision to stop compiling their own albums and singles charts.
The longest consecutive duration at the top of the chart was 23 weeks for The Shadows' EP The Shadows to the Fore. The most weeks at number one was achieved by The Beach Boys' EP Hits which spent 34 weeks there from June 1966 and was the incumbent number one when the chart ceased at the end of 1967. The Beatles had eight different EPs top the chart as did The Shadows (four with Cliff Richard and four on their own). The Shadows spent 69 weeks with an EP on top of the chart in comparison to The Beatles' 63 weeks. Conversely, only four acts spent a total of one week atop the chart; Joan Baez, Jim Reeves, George Mitchell Minstrels and Bobby Vee (with The Crickets). Although official music recording sales certifications were not introduced until the British Phonographic Industry was formed in 1973, Disc introduced an initiative in 1959 to present a gold disc to records that sold over one million units and a silver disc to records selling over 250,000 units. Seven EPs are recorded as going silver: The Beatles' number-one EPs Twist and Shout, The Beatles' Hits, All My Loving, Long Tall Sally as well as The Beatles (No. 1) and Magical Mystery Tour (which did not reach number one but would have done so had the EP chart lasted only a few more weeks) and The Rolling Stones' number-one EP Five by Five. (Full article...)
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