Portal:Clothing
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The Clothing Portal
Clothing (also known as clothes, garments, dress, apparel, or attire) is any item worn on the body. Typically, clothing is made of fabrics or textiles, but over time it has included garments made from animal skin and other thin sheets of materials and natural products found in the environment, put together. The wearing of clothing is mostly restricted to human beings and is a feature of all human societies. The amount and type of clothing worn depends on gender, body type, social factors, and geographic considerations. Garments cover the body, footwear covers the feet, gloves cover the hands, while hats and headgear cover the head, and underwear covers the private parts.
Clothing has significant social factors as well. Wearing clothes is a variable social norm. It may connote modesty. Being deprived of clothing in front of others may be embarrassing. In many parts of the world, not wearing clothes in public so that genitals, breast, or buttocks are visible could be considered indecent exposure. Pubic area or genital coverage is the most frequently encountered minimum found cross-culturally and regardless of climate, implying social convention as the basis of customs. Clothing also may be used to communicate social status, wealth, group identity, and individualism. (Full article...)
Textile is an umbrella term that includes various fiber-based materials, including fibers, yarns, filaments, threads, different fabric types, etc. At first, the word "textiles" only referred to woven fabrics. However, weaving is not the only manufacturing method, and many other methods were later developed to form textile structures based on their intended use. Knitting and non-woven are other popular types of fabric manufacturing. In the contemporary world, textiles satisfy the material needs for versatile applications, from simple daily clothing to bulletproof jackets, spacesuits, and doctor's gowns. (Full article...)
Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects. (Full article...)
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The Silk Road (Chinese: 丝绸之路) was a network of Eurasian trade routes active from the second century BCE until the mid-15th century. Spanning over 6,400 kilometers (4,000 miles), it played a central role in facilitating economic, cultural, political, and religious interactions between the East and West. The name "Silk Road," first coined in the late 19th century, has fallen into disuse among some modern historians in favor of Silk Routes, on the grounds that it more accurately describes the intricate web of land and sea routes connecting Central, East, South, Southeast, and West Asia as well as East Africa and Southern Europe.
The Silk Road derives its name from the highly lucrative trade of silk textiles that were primarily produced in China. Silk production in the Indian subcontinent began with the Indus Valley Civilization between 2450 and 2000 BCE. The Southern Route began with trade between the Indian Subcontinent with Mesopotamia and Egypt. The Northern Route began with the Han dynasty's expansion into Central Asia around 114 BCE through the missions and explorations of the Chinese imperial envoy Zhang Qian, which brought the region under unified control. The Parthian Empire provided a bridge to East Africa and the Mediterranean. By the early first century CE, Chinese silk was widely sought-after in Rome, Egypt, and Greece. Other lucrative commodities from the East included tea, dyes, perfumes, and porcelain; among Western exports were horses, camels, honey, wine, and gold. Aside from generating substantial wealth for emerging mercantile classes, the proliferation of goods such as paper and gunpowder greatly altered the trajectory of various realms, if not world history. (Full article...) - Image 2
Sir William Henry Perkin FRS (12 March 1838 – 14 July 1907) was a British chemist and entrepreneur best known for his serendipitous discovery of the first commercial synthetic organic dye, mauveine, made from aniline. Though he failed in trying to synthesise quinine for the treatment of malaria, he became successful in the field of dyes after his first discovery at the age of 18.
Perkin set up a factory to produce the dye industrially. Lee Blaszczyk, professor of business history at the University of Leeds, states, "By laying the foundation for the synthetic organic chemicals industry, Perkin helped to revolutionize the world of fashion." (Full article...) - Image 3
Smocking is an embroidery technique used to gather fabric so that it can stretch. Before elastic, smocking was commonly used in cuffs, bodices, and necklines in garments where buttons were undesirable. Smocking developed in England and has been practised since the Middle Ages and is unusual among embroidery methods in that it was often worn by labourers. Other major embroidery styles are purely decorative and represented status symbols. Smocking was practical for garments to be both form fitting and flexible, hence its name derives from smock — an agricultural labourer's work shirt. Smocking was used most extensively in the eighteenth and nineteenth centuries. (Full article...) - Image 4
Sumptuary laws (from Latin sūmptuāriae lēgēs) are laws that try to regulate consumption. Black's Law Dictionary defines them as "Laws made for the purpose of restraining luxury or extravagance, particularly against inordinate expenditures for apparel, food, furniture, or shoes, etc." Historically, they were intended to regulate and reinforce social hierarchies and morals through restrictions on clothing, food, and luxury expenditures, often depending on a person's social rank.
Societies have used sumptuary laws for a variety of purposes. They were used to try to regulate the balance of trade by limiting the market for expensive imported goods. They made it easy to identify social rank and privilege, and as such could be used for social discrimination and to stabilize social hierarchies. They could also be used to prevent, or at least reduce opportunities for political bribery and corruption. (Full article...) - Image 5
The cochineal (/ˌkɒtʃɪˈniːl, ˈkɒtʃɪniːl/ KOTCH-ih-NEEL, -neel, US also /ˌkoʊtʃɪˈniːl, ˈkoʊtʃɪniːl/ KOH-chih-; Dactylopius coccus) is a scale insect in the suborder Sternorrhyncha, from which the natural dye carmine is derived. A primarily sessile parasite native to tropical and subtropical South America through North America (Mexico and the Southwest United States), this insect lives on cacti in the genus Opuntia, feeding on plant moisture and nutrients. The insects are found on the pads of prickly pear cacti, collected by brushing them off the plants, and dried.
The insect produces carminic acid that deters predation by other insects. Carminic acid, typically 17–24% of dried insects' weight, can be extracted from the body and eggs, then mixed with aluminium or calcium salts to make carmine dye, also known as cochineal. Today, carmine is primarily used as a colorant in food and in lipstick (E120 or Natural Red 4). (Full article...) - Image 6
Samuel Slater (June 9, 1768 – April 21, 1835) was an early English-American industrialist known as the "Father of the American Industrial Revolution", a phrase coined by Andrew Jackson, and the "Father of the American Factory System". In the United Kingdom, he was called "Slater the Traitor" and "Sam the Slate" because he brought British textile technology to the United States, modifying it for American use. He memorized the textile factory machinery designs as an apprentice to a pioneer in the British industry before migrating to the U.S. at the age of 21.
Slater designed the first textile mills in the U.S. and later went into business for himself, developing a family business with his sons. He eventually owned 13 spinning mills and had developed tenant farms and company towns around his textile mills, such as Slatersville, Rhode Island. (Full article...) - Image 7
Byzantine silk is silk woven in the Byzantine Empire (Byzantium) from about the fourth century until the Fall of Constantinople in 1453.
The Byzantine capital of Constantinople was the first significant silk-weaving center in Europe. Silk was one of the most important commodities in the Byzantine economy, used by the state both as a means of payment and of diplomacy. (Full article...) - Image 8
Alice Littleman (February 8, 1910 – May 26, 2000) was a Kiowa beadwork artist and regalia maker, who during her lifetime was recognized as one of the leading Kiowa beaders and buckskin dressmakers. Her works are included in the permanent collections of the National Museum of Natural History, the National Museum of the American Indian, the Southern Plains Indian Museum, and the Oklahoma Historical Society. (Full article...) - Image 9
A pleat (plait in older English) is a type of fold formed by doubling fabric back upon itself and securing it in place. It is commonly used in clothing and upholstery to gather a wide piece of fabric to a narrower circumference.
Pleats are categorized as pressed, that is, ironed or otherwise heat-set into a sharp crease, or unpressed, falling in soft rounded folds. Pleats sewn into place are called tucks. (Full article...) - Image 10
Natural dyes are dyes or colorants derived from plants, invertebrates, or minerals. The majority of natural dyes are vegetable dyes from plant sources—roots, berries, bark, leaves, and wood—and other biological sources such as fungi.
Archaeologists have found evidence of textile dyeing dating back to the Neolithic period. In China, dyeing with plants, barks and insects has been traced back more than 5,000 years. The essential process of dyeing changed little over time. Typically, the dye material is put in a pot of water and heated to extract the dye compounds into solution with the water. Then the textiles to be dyed are added to the pot, and held at heat until the desired color is achieved. Textile fibre may be dyed before spinning or weaving ("dyed in the wool"), after spinning ("yarn-dyed") or after weaving ("piece-dyed"). Many natural dyes require the use of substances called mordants to bind the dye to the textile fibres. Mordants (from Latin mordere 'to bite') are metal salts that can form a stable molecular coordination complex with both natural dyes and natural fibres. Historically, the most common mordants were alum (potassium aluminum sulfate—a metal salt of aluminum) and iron (ferrous sulfate). Many other metal salt mordants were also used, but are seldom used now due to modern research evidence of their extreme toxicity either to human health, ecological health, or both. These include salts of metals such as chrome, copper, tin, lead, and others. In addition, a number of non-metal salt substances can be used to assist with the molecular bonding of natural dyes to natural fibres—either on their own, or in combination with metal salt mordants—including tannin from oak galls and a range of other plants/plant parts, "pseudo-tannins", such as plant-derived oxalic acid, and ammonia from stale urine. Plants that bio-accumulate aluminum have also been used. Some mordants, and some dyes themselves, produce strong odors, and large-scale dyeworks were often isolated in their own districts. (Full article...) - Image 11
Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth.
Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth (warp threads with a weft thread winding between) can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.
The way the warp and filling threads interlace with each other is called the weave. The majority of woven products are created with one of three basic weaves: plain weave, satin weave, or twill weave. Woven cloth can be plain or classic (in one colour or a simple pattern), or can be woven in decorative or artistic design. (Full article...) - Image 12The "sweater curse" or "curse of the love sweater" is a term used by knitters and crocheters to describe the belief that if a knitter or crocheter gives a hand-knit sweater to a significant other, it will lead to the recipient breaking up with the knitter. In an alternative formulation, the relationship will end before the sweater is even completed. The belief is widely discussed in knitting publications, and some knitters claim to have experienced it. In a 2005 poll, 15% of active knitters said that they had experienced the sweater curse firsthand, and 41% considered it a possibility that should be taken seriously.
Despite its name, the "sweater curse" is treated in knitting literature not as a superstition governed by paranormal forces, but rather as a real-world pitfall of knitting that has rational explanations. Several plausible mechanisms for the sweater curse have been proposed, but it has not been studied systematically. (Full article...) - Image 13
The Aran jumper (Irish: Geansaí Árann), also called a fisherman's jumper, is a style of jumper that takes its name from the Aran Islands off the west coast of Ireland. A traditional Aran Jumper usually is off-white in colour, with cable patterns on the body and sleeves. Originally the jumpers were knitted using unscoured wool that retained its natural oils (lanolin) which made the garments water-resistant and meant they remained wearable even when wet.
Use of the word jumper (or other options such as "pullover" and "jersey") is largely determined by the regional version of English used. In the case of Ireland, Britain and Australia, "jumper" is the standard word, “jersey” is used in South Africa whereas "sweater" is mainly found in tourist shops and in North America. The word used in Irish is geansaí. (Full article...) - Image 14
Aesthetics in textiles is one of the basic concepts of serviceability of textiles. It is determined by the perception of touch and sight. Aesthetics imply the appearance and attraction of textile products; it includes the color and texture of the material. It is a statement about the end user (consumer) and the target market. When combined with fabric construction, the finish of the clothing material, garment fit, style, and fashion compatibility, colours create an aesthetic comfort. All of these elements work together to satisfy our visual perception. Aesthetics incorporates the role of evaluation (analysing and judging) also.
There are various arts and applications that imparts aesthetic properties in textiles. Additionally, the use of LEDs and optical fibres enables the creation of aesthetic properties such as illuminated textiles. (Full article...) - Image 15
Bronwyn Bancroft (born 1958) is an Aboriginal Australian artist, administrator, book illustrator, and among the first three Australian fashion designers to show their work in Paris. She was born in Tenterfield, New South Wales, and trained in Canberra and Sydney.
In 1985, Bancroft established a shop called Designer Aboriginals, selling fabrics made by Aboriginal artists, including herself. She was a founding member of Boomalli Aboriginal Artists Co-operative. Her artwork is held by the National Gallery of Australia, the Art Gallery of New South Wales and the Art Gallery of Western Australia. She illustrated 20 children's books, including Stradbroke Dreamtime by activist Oodgeroo Noonuccal, and books by artist Sally Morgan. Her design commissions include one for the exterior of a Sydney sports centre. (Full article...)
Did you know (auto generated)
- ... that during the Second World War, the British government's campaign Make-Do and Mend encouraged the public to fashion men's clothes into womenswear?
- ... that during a renovation of 4 Park Avenue, workers found a sealed room with women's clothes and shoes that was not in the building's blueprints?
- ... that Liberian paramount chief Tamba Taylor worked as a tailor and claimed to have sewn clothes for Ethiopian emperor Haile Selassie and Ghanaian president Kwame Nkrumah?
- ... that Jacqueline Kennedy did not want to make her clothes the focus of her 1962 goodwill tour of India and Pakistan, but still wore 22 different outfits in the first nine days?
- ... that pioneering Daily News camerawoman Evelyn Straus had her clothes custom-made to carry her film and flashbulbs?
- ... that Church Clothes 4 deals with Christian hip hop artist Lecrae's faith deconstruction and reconstruction?
More Did you know
- ...that several types of Turkish carpets are now named after Renaissance artists who depicted them in paintings (example pictured)?
- ... that the little balls of fibers that appear on clothing due to wear are called pills?
- ... that a reed is a comb-like tool used in weaving that determines how fine the cloth is?
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Credit: William-Adolphe Bouguereau |
Spinning fiber to make yarn using a distaff and drop spindle is a craft that remained essentially unchanged from the Neolithic to the nineteenth century.
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- Image 1Tie dye vendor, July 2013 (from Fashion)
- Image 2Marie Antoinette, wife of Louis XVI, was a leader of fashion. Her choices, such as this 1783 white muslin dress called a chemise a la Reine, were highly influential and widely worn. (from Fashion)
- Image 5Celebrities such as Britney Spears have popularized the concept of wearing underwear as outerwear. (from Fashion)
- Image 614th-century Italian silk damasks (from History of clothing and textiles)
- Image 7Timberland boots are an everyday shoe in streetwear. (from Fashion)
- Image 9Gross sales of goods vs IP laws (US 2007) (from Fashion)
- Image 10Jacqueline Kennedy, the wife of President John F. Kennedy, made pink a popular high-fashion color. (from Fashion)
- Image 11Estonian national clothes are a fine example of change in clothing after the industrial revolution. They changed a lot during 18th and 19th of century with the addition of new types of colors (like aniline dyes), placement of colors (like lengthwise stripes) and with the addition of new elements (like waistcoats). By the end of the 19th century they went out of use in most of the country (except more remote places as in Kihnu island) and it was only in mid 20th century when they once again gained popularity and now as a formal clothing. Members of University of Tartu Folk Art Ensemble wearing clothes specific to Kihnu island, Tori Parish (women in red skirts) and Tõstamaa area (men in brown clothing). (from History of clothing and textiles)
- Image 12"Swinging London": Young adults in London's Carnaby Street. (from Fashion)
- Image 13Bold floral patterned silks, 15th century (from History of clothing and textiles)
- Image 15Edgar I of England in short tunic, hose, and cloak, 966 (from History of clothing and textiles)
- Image 17Model with a modern dress reflecting the current fashion trend at a fashion show, Paris, 2011 (from Fashion)
- Image 18This 1921 clipping from the St. Louis Post-Dispatch, with story and drawings by Marguerite Martyn, represents the saturation newspaper coverage given to society women at a fashionable dance. (from Fashion)
- Image 19Latin dancers in their costumes. The woman is wearing backless dress with deep slits on its lower portion, while the man is wearing a shirt with top buttons open. (from Fashion)
- Image 20A woman in Bengal region in the eastern part of the Indian subcontinent, clad in fine Bengali muslin, 18th century. (from History of clothing and textiles)
- Image 21Liu Wen, supermodel, walks the runway modeling fashions by designer Diane von Fürstenberg at New York Fashion Week 2013. (from Fashion)
- Image 22Slashing at its height: Henry IV, Duke of Saxony, c. 1514 (from History of clothing and textiles)
- Image 23The Boxer Codex, showing the attire of a Classical period Filipino, made of silk and cotton (from History of clothing and textiles)
- Image 24A see-through top worn along with pasties by a model at a fashion show in US, 2017. Such fashion trends get popularised through media. (from Fashion)
- Image 25Indigenous Americas Map Tunic designed in 2018 by Carla Fernández and Pedro Reyes for Taller Flora. (from Fashion)
- Image 27Textile machinery at the Cambrian Factory, Llanwrtyd, Wales in the 1940s (from History of clothing and textiles)
- Image 28A Mexican sports reporter Inés Sainz wearing a little black dress and knee-high boots (from Fashion)
- Image 29Gensei Kajin Shu by Yoshu Chikanobu, 1890. Various styles of traditional Japanese clothing and Western styles. (from Fashion)
- Image 31A French reinterpretation of Spanish fashion, with elaborate reticella ruff, 1609 (from History of clothing and textiles)
- Image 32Albrecht Dürer's drawing contrasts a well-turned out bourgeoise from Nuremberg (left) with her counterpart from Venice. The Venetian lady's high chopines make her look taller. (from Fashion)
Selected quote
Miss Ophelia sat down, and pulled out her knitting-work, and sat there grim with indignation. She knit and knit, but while she mused the fire burned; at last she broke out—"I tell you, Augustine, I can't get over things so, if you can. It's a perfect abomination for you to defend such a system,—that's my mind!" "What now?" said St. Clare, looking up. "At it again, hey?" "I say it's perfectly abominable for you to defend such a system!" said Miss Ophelia, with increasing warmth. "I defend it, my dear lady? Who ever said I did defend it?" said St. Clare. "Of course, you defend it,—you all do,—all you Southerners. What do you have slaves for, if you don't?" "Are you such a sweet innocent as to suppose nobody in this world ever does what they don't think is right? Don't you, or didn't you ever, do anything that you did not think quite right?" "If I do, I repent of it, I hope," said Miss Ophelia, rattling her needles with energy. "So do I," said St. Clare, peeling his orange; "I'm repenting of it all the time." |
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