Black women in the American music industry
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The lack of respect that black women received in the music industry gave rise to hip-hop feminism, as singers such as Monie Love brought attention to the differences in acknowledgment that existed even for equal talent. The movement tackles problems arising from deindustrialization, racial wealth disparities, and conservative backlash. It was molded by the social environment of the 1980s and 1990s. Me'Shell Ndegeocello, an American rapper, singer and bassist and Angie Stone, a singer, are two artists that have shaped the conversation. Hip-hop feminism goes beyond gender issues to support the rights of women, African Americans, and LGBTQ+ people. Queen Latifah, a prominent figure in the genre, used "the politics of respectability" to promote women's rights and racial empowerment. Ndegeocello is one of the rising queer feminists of color who brings a nuanced viewpoint to problems like abortion and unjust beauty standards. Changes in perspectives are reflected in the transition from male-dominated hip-hop to women-centered hip-hop soul, which allows for a diversity of narratives within black communities. The Grammy-winning song "U.N.I.T.Y." by Queen Latifah was a historic moment that validated the powerful voice of black women in a male-dominated field and sparked discussions about domestic abuse and the commodification of black women's sexuality. In the United States, the introduction of new styles of music came during the Transatlantic Slave Trade era. The genres of music include, but are not limited to, blues, rock, gospel music, jazz, bluegrass, and Hip-hop. African American women in the music industry have made significant contributions over the years.[1]
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This legacy starts in the 1870s with the Fisk Jubilee Singers, who performed many different genres of music including traditional spirituals, blues, classic jazz and rhythm and blues, also commonly referred to as R&B. The Fisk Jubilee Singers became popular throughout the world for singing traditional spirituals during their tours in both the United States and England.[2] Stigmas surrounding African American woman during the 20th century may have made it difficult for them to have a strong presence in mainstream music. Despite this, women were still authoritative in the genres of blues, jazz, and R&B.[3]