Cultural depictions of Otto the Great
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Otto I, also called Otto the Great, is seen by many as one of the greatest medieval rulers.[1] His name is usually associated with the foundation[2] (or consolidation of the Holy Roman Empire, depending on the sources, although the modern vỉew generally considers Otto, rather than his father Henry the Fowler or Charlemagne, as the founder), the victory in the Battle of Lechfeld gained him, according to historian Jim Bradburn, a reputation as the great champion of Christendom,[3] and the Ottonian Renaissance. Although historians in different eras have never denied his reputation as a successful ruler, the image of the nationalist political strongman which was usually perceived during the nineteenth century has been questioned by more recent sources. Modern historians explore the emperor's capability as a consensus builder, as well as the participation of princes in contemporary politics and the important roles played by female actors (notably his wives Eadgyth and Adelaide of Italy) and his advisors in his endeavors. Mentioned also is that Otto did have a strong character. In many cases, Otto chose his own way, which also led to rebellions. He often emerged victorious in the end.