Sidney Lumet
American filmmaker (1924–2011) / From Wikipedia, the free encyclopedia
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Sidney Arthur Lumet (/luːˈmɛt/ loo-MET;[1] June 25, 1924 – April 9, 2011) was an American film director. Lumet started his career in theatre before moving to film where he gained a reputation for making realistic and gritty New York dramas which focused on the working class, tackled social injustices, and often questioned authority.
Sidney Lumet | |
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Born | Sidney Arthur Lumet (1924-06-25)June 25, 1924 Philadelphia, Pennsylvania, U.S. |
Died | April 9, 2011(2011-04-09) (aged 86) New York City, U.S. |
Alma mater | Columbia University |
Occupations |
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Years active | 1930–2007 |
Works | Full list |
Spouses | Gail Jones
(m. 1963; div. 1978)Mary Gimbel (m. 1980) |
Children | 2, including Jenny |
Parent |
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Relatives | Jake Cannavale (grandson) |
Awards | Full list |
He was nominated five times for Academy Awards: four for Best Director for 12 Angry Men (1957), Dog Day Afternoon (1975), Network (1976), and The Verdict (1982) and one for Best Adapted Screenplay for Prince of the City (1981). Other films include A View from the Bridge (1962), Long Day's Journey into Night (1962), The Pawnbroker (1964), Fail Safe (1964), The Hill (1965), Serpico (1973), Murder on the Orient Express (1974), Equus (1977), The Wiz (1978), The Morning After (1986), Running on Empty (1988), and Before the Devil Knows You're Dead (2007). He received the Academy Honorary Award in 2004.[2]
A member of the inaugural class at New York's Actors Studio,[3] Lumet started acting off-Broadway and made his Broadway acting debut in the 1935 play Dead End. He later went on to direct the Broadway plays Night of the Auk (1956), Caligula (1960), and Nowhere to Go But Up (1962). Lumet is also known for his work on television. He received a Primetime Emmy Award for Outstanding Directing for a Drama Series nomination for NBC Sunday Showcase (1961). He also directed for Goodyear Television Playhouse, Kraft Television Theatre, and Playhouse 90.